The presence of the possible world of cinema text in the modern screenplay

The article analyzes the presence of possible world film text in A.P.Zvyagintsev’s and O.I.Negin’s screenplay Dislike. This for first time became subject philological analysis using comparative contextual-functional methods. director’s published comments allow tracing path from literary itself to text. As a result sampling linguistic material, which reveals script, specificity its categories (integrity, coherence, completeness, dynamics, etc.) was revealed. cinema determines priori variability uncertainty script reflects features scenario functioning lexical-grammatical syntactic language means. are interdependent, but not identical entities. It has been established that development technical parameters an indirect effect on script. One aims study is critically analyze notions does have merits In course analyzing text, working hypothesis confirmed with motivated violation communicative pragmatic norms (accuracy, relevance, expressiveness). represents new type anomalies due intended purpose semiotic translation into cinematic diverse nature receptive program.